Want to know who is cleaning up at the 2015 Academy Awards. I’ll be live-tweeting the show @johnhanlon and keeping score of the winners below.

All of the winners will be in bold as the night progresses.

Best motion picture of the year

“American Sniper”
“Birdman or (The Unexpected Virtue of Ignorance)”
“Boyhood”
“The Grand Budapest Hotel”
“The Imitation Game”
“Selma”
“The Theory of Everything”
“Whiplash”

Achievement in directing

“Birdman or (The Unexpected Virtue of Ignorance)” Alejandro G. Iñárritu
“Boyhood” Richard Linklater
“Foxcatcher” Bennett Miller
“The Grand Budapest Hotel” Wes Anderson
“The Imitation Game” Morten Tyldum

Performance by an actor in a leading role

Steve Carell in “Foxcatcher”
Bradley Cooper in “American Sniper”
Benedict Cumberbatch in “The Imitation Game”
Michael Keaton in “Birdman or (The Unexpected Virtue of Ignorance)”
Eddie Redmayne in “The Theory of Everything”

Performance by an actor in a supporting role

Robert Duvall in “The Judge”
Ethan Hawke in “Boyhood”
Edward Norton in “Birdman or (The Unexpected Virtue of Ignorance)”
Mark Ruffalo in “Foxcatcher”
J.K. Simmons in “Whiplash”

Performance by an actress in a leading role

Marion Cotillard in “Two Days, discount One Night”
Felicity Jones in “The Theory of Everything”
Julianne Moore in “Still Alice”
Rosamund Pike in “Gone Girl”
Reese Witherspoon in “Wild”

Performance by an actress in a supporting role

Patricia Arquette in “Boyhood”
Laura Dern in “Wild”
Keira Knightley in “The Imitation Game”
Emma Stone in “Birdman or (The Unexpected Virtue of Ignorance)”
Meryl Streep in “Into the Woods”

Adapted screenplay

“American Sniper” Written by Jason Hall
“The Imitation Game” Written by Graham Moore
“Inherent Vice” Written for the screen by Paul Thomas Anderson
“The Theory of Everything” Screenplay by Anthony McCarten
“Whiplash” Written by Damien Chazelle

Original screenplay

“Birdman or (The Unexpected Virtue of Ignorance)” Written by Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo
“Boyhood” Written by Richard Linklater
“Foxcatcher” Written by E. Max Frye and Dan Futterman
“The Grand Budapest Hotel” Screenplay by Wes Anderson; Story by Wes Anderson & Hugo Guinness
“Nightcrawler” Written by Dan Gilroy

Best animated feature film of the year

“Big Hero 6”
“The Boxtrolls”
“How to Train Your Dragon 2”
“Song of the Sea”
“The Tale of the Princess Kaguya”

Achievement in cinematography

“Birdman or (The Unexpected Virtue of Ignorance)” Emmanuel Lubezki
“The Grand Budapest Hotel” Robert Yeoman
“Ida” Lukasz Zal and Ryszard Lenczewski
“Mr. Turner” Dick Pope
“Unbroken” Roger Deakins

Achievement in costume design

“The Grand Budapest Hotel” Milena Canonero
“Inherent Vice” Mark Bridges
“Into the Woods” Colleen Atwood
“Maleficent” Anna B. Sheppard and Jane Clive
“Mr. Turner” Jacqueline Durran

Best documentary feature

“CitizenFour”
“Finding Vivian Maier”
“Last Days in Vietnam”
“The Salt of the Earth”
“Virunga”

Best documentary short subject

“Crisis Hotline: Veterans Press 1” Ellen Goosenberg Kent and Dana Perry
“Joanna” Aneta Kopacz
“Our Curse” Tomasz Sliwinski and Maciej Slesicki
“The Reaper (La Parka)” Gabriel Serra Arguello
“White Earth” J. Christian Jensen

Achievement in film editing

“American Sniper” Joel Cox and Gary D. Roach
“Boyhood” Sandra Adair
“The Grand Budapest Hotel” Barney Pilling
“The Imitation Game” William Goldenberg
“Whiplash” Tom Cross

Best foreign language film of the year

“Ida” Poland
“Leviathan” Russia
“Tangerines” Estonia
“Timbuktu” Mauritania
“Wild Tales” Argentina

Achievement in makeup and hairstyling

“Foxcatcher” Bill Corso and Dennis Liddiard
“The Grand Budapest Hotel” Frances Hannon and Mark Coulier
“Guardians of the Galaxy” Elizabeth Yianni-Georgiou and David White

Achievement in music written for motion pictures (Original score)

“The Grand Budapest Hotel” Alexandre Desplat
“The Imitation Game” Alexandre Desplat
“Interstellar” Hans Zimmer
“Mr. Turner” Gary Yershon
“The Theory of Everything” Jóhann Jóhannsson

Achievement in music written for motion pictures (Original song)

“Everything Is Awesome” from “The Lego Movie”
Music and Lyric by Shawn Patterson
“Glory” from “Selma”
Music and Lyric by John Stephens and Lonnie Lynn
“Grateful” from “Beyond the Lights”
Music and Lyric by Diane Warren
“I’m Not Gonna Miss You” from “Glen Campbell…I’ll Be Me”
Music and Lyric by Glen Campbell and Julian Raymond
“Lost Stars” from “Begin Again”
Music and Lyric by Gregg Alexander and Danielle Brisebois

Achievement in production design

“The Grand Budapest Hotel”
“The Imitation Game”
“Interstellar”
“Into the Woods”
“Mr. Turner”

Best animated short film

“The Bigger Picture” Daisy Jacobs and Christopher Hees
“The Dam Keeper” Robert Kondo and Dice Tsutsumi
“Feast” Patrick Osborne and Kristina Reed
“Me and My Moulton” Torill Kove
“A Single Life” Joris Oprins

Best live action short film

“Aya” Oded Binnun and Mihal Brezis
“Boogaloo and Graham” Michael Lennox and Ronan Blaney
“Butter Lamp (La Lampe Au Beurre De Yak)” Hu Wei and Julien Féret
“Parvaneh” Talkhon Hamzavi and Stefan Eichenberger
“The Phone Call” Mat Kirkby and James Lucas

Achievement in sound editing

“American Sniper” Alan Robert Murray and Bub Asman
“Birdman or (The Unexpected Virtue of Ignorance)” Martín Hernández and Aaron Glascock
“The Hobbit: The Battle of the Five Armies” Brent Burge and Jason Canovas
“Interstellar” Richard King
“Unbroken” Becky Sullivan and Andrew DeCristofaro

Achievement in sound mixing

“American Sniper” John Reitz, Gregg Rudloff and Walt Martin
“Birdman or (The Unexpected Virtue of Ignorance)” Jon Taylor, Frank A. Montaño and Thomas Varga
“Interstellar” Gary A. Rizzo, Gregg Landaker and Mark Weingarten
“Unbroken” Jon Taylor, Frank A. Montaño and David Lee
“Whiplash” Craig Mann, Ben Wilkins and Thomas Curley

Achievement in visual effects

“Captain America: The Winter Soldier” Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick
“Dawn of the Planet of the Apes” Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist
“Guardians of the Galaxy” Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould
“Interstellar” Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher
“X-Men: Days of Future Past” Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer
“There’s no justice in the world. Not unless we make it.” So states the calculating Littlefinger (Aidan Gillen) early on in the fifth season of the HBO drama Game of Thrones.

The quote could refer to the beginning of the new season itself, viagra order
which sets up a strong new chapter for the mythological series. When we last left Westeros, pill
many of the show’s most powerful figures had fallen. Robb Stark and his mother Catelyn were murdered in season three and King Joffrey and Tywin Lannister, check the man behind the throne, fell in season four.

Now, with the massively naïve King Tommen (Dean-Charles Chapman) now reining over the kingdom, it seems like the perfect time for an underdog player to show their true potential. Previously-underestimated characters now have the opportunity to find justice and power in a world where having power and finding justice are often considered punishable offenses.

It’s often best to consider each season of the show a ten-act play. Much of the dramatic action occurs late in the season but the first few episodes often methodically set up the story and direction for the season. Four episodes of the program were available for review and without spoiling anything, these opening chapters set up a powerful season to come as we watch new and old forces grapple with power.

The greatest power struggle may be taking shape in the richly-constructed battle between Cersei (Lena Headey), the one-time Queen and now Queen Mother, and Margaery (Natalie Dormer), the fiance of the boyish King Tommen. Without wielding a sword, these two women are battling each other in subtle but inarguable ways. They are playing a chess game for the love and affection of Tommen, who doesn’t realize how manipulative these two can be and how in over his head he truly he.

Characters like Jon Snow (Kit Harington), Arya Stark (Maisie Williams)and Jaime Lannister (Nikolaj Coster-Waldau) are also beginning new journeys in this season, which sets them on intriguing paths that were only hinted at in season four. Tyrion (Pete Dinklage), meanwhile, is on a journey of his own after spending days locked up in a box courtesy of Lord Varys (Conleth Hill), who wants to protect the kingdom and sees Tyrion as a valuable asset in that endeavor.

As usual, producers David Benioff and D.B. Weiss have continued building this new world with new environments coming to life in this ever-expanding universe. Whereas other shows would likely have settled into complacency by season 5, this one only grows bigger with more elaborate special effects, richer dialogue and exciting new characters like the High Sparrow (Jonathan Pryce) arriving just in time to create more turmoil.

For those expecting major plot twists in the early episodes, these first few episodes may seem like a disappointment (it was only in episode three of the previous season when we witnessed Joffrey’s long-anticipated demise). What you will find here instead are the opening chapters of a season that has the potential to redefine the show and the conflicts that are so prominent in this Game.

Grade: A-