John Hanlon Reviews

Film Reviews

Greater Review Greater Poster


Genre: Drama

Director: David Hunt

Cast: Christopher Severio, Neal McDonough, Leslie Easterbrook

MPAA-Rating: PG

Release Date: August 26th, 2016

The Ben-Hur box office numbers were disappointing but that doesn’t mean Hollywood should start writing off religious movies.

Ben-Hur, tadalafil the latest Hollywood feature to embrace religion, page had a difficult opening weekend at the box office. The film reportedly cost 100 million dollars to make and earned less than 12 million in its first weekend. Those are some difficult numbers to overcome. Because of that, some in Hollywood might be tempted to write off Christian films.

That temptation should be avoided at all costs.

In fact, audiences for religious features are there and have made success stories out of low-budgeted movies like Miracles from Heaven and Risen this year. (Click here to learn more about these religious success stories.)

However, there are five lessons that can be gleaned from Ben-Hur’s box office issues.

1.) The lower the budget, the greater the chance for success: A film with a production budget of 100 million dollars is a risky venture. A religious film with that budget is a lot riskier.

In the past few years, movies like Noah and Exodus: Gods and Kings were big-budget religious movies. Featuring A-list stars and helmed by well-known directors, these features faced criticism for their reliance on big budget effects over religious values. Both films were profitable overseas but neither of them was considered the kind of success story the studios were hoping for.

The best-known religious success stories are films like God’s Not Dead, Miracles from Heaven and War Room — dramas that were made for low budgets and quickly became profitable. Even The Passion of the Christ, which broke box office records in 2014, was reportedly made on a budget of only 30 million dollars.

2.) Contemporary stories oftentimes resonate more: Some of the best religious films coming out today focus on contemporary stories. Either fictional or reality-based, these movies often show how religious messages can help people through their everyday lives.

A few prime examples of this are Soul Surfer (2011), Heaven is for Real (2014) and Miracles from Heaven (2016). Each of these features told true stories that made headlines in recent years. Filmmakers brought the stories to the big screen and found audiences for each of them. According to, the respective budgets of these three movies were 18 million, 12 million and 13 million and their respective domestic grosses were 43 million, 91 million and 61 million.

3.) Avoid remakes of beloved films:  Ben-Hur, the epic 1959 masterpiece, is one of the most beloved dramas of all time. It was beloved by audiences and went on to win 11 Academy Awards, a record that has been tied twice in recent years (with Titanic in 1997 and Lord of the Rings: The Return of the King in 2003) but never  surpassed.

As Variety’s Brent Lang notes in an article about why Ben-Hur flopped,  audiences have been looking for something fresh this summer. He writes, “After a summer where franchises and reboots have suffered diminishing returns, audiences in recent weeks have been embracing anything that seems new and original.” The 2016 Ben-Hur, which is actually a remake of a remake, just didn’t appeal to an audience interested in something fresh and unique.

4.) Family-friendly religious movies oftentimes bring in larger audiences: One common aspect of many of the most recent group of religious success stories is that parents and grandparents can bring their families to these movies.

Sherwood Pictures, the film-making company backed by a Georgian Baptist Church, offers a great example of success. That studio released low-budget hits like Facing the Giants, Fireproof and Courageous – all family-friendly features that went on to great success. As Hollywood Reporter journalist Paul Bond wrote, “While Iron Man 2 and Thor earned three times their production budgets, Giants was made for $100,000 and took in $10.2 million domestically, 102 times its budget.” It clearly helps that these films can be enjoyed by all members of a family.

Ben-Hur, for all of its great qualities, isn’t exactly family-friendly. Its most noteworthy scene is a chariot race featuring a lot of death and destruction, meaning that people are less inclined to bring their families to go see it.

5.) Buzz is important: Buzz has been a critical component of movies like this. When audiences see a movie they like, they tell their friends about it — bringing more and more people in to the theater. This concept was extremely evident with War Room — a film that according to opened with a solid 11 million dollars (on a three million dollar budget) but went on to make approximately six times that much domestically.

Ben-Hur actually got some solid reviews from’s Ed Morrissey, Glenn Beck and audiences in general. According to, the two studios that co-released this film “sold this to the faith-based and the fruits of their labors can be seen in Ben-Hur’s A- CinemaScore, the same grade that Risen received.”

The problem is though that by the time buzz started to grow for the film in religious and conservative circles, the movie was already suffering at the box office.

As points out, movies like “Heaven Is for Real, War Room, Miracles from Heaven, God’s Not Dead, and Risen… opened small and added theaters as popularity grew. Because of its huge budget, Ben-Hur couldn’t do that—it needed to open strong like The Passion of the Christ did.” The film didn’t open well, meaning that the film’s momentum will likely be stalled.

It’s unfortunate that Ben-Hur (it’s actually a very good film) had such a tough weekend and there’s still a chance it could do solid business overseas but in the meantime, Hollywood shouldn’t slow down on making religious films. There’s an audience out there. It just needs to be approached differently.

Click here for a list of 5 must-see religious features from the past twelve years.

One of the most successful walk-ons in sports history gets his story told on the big screen in the new inspiring drama Greater.

The ending of many inspirational films feels like the period at the end of a sentence. The hero of the story starts out as the underdog, this web
faces off against insurmountable odds and ultimately ends up the victor. What makes the new inspirational religious drama Greater so different and unique is that it ends in a question. Instead of settling into the predictable tropes, the feature dares to ask a larger question that other similarly-themed films wouldn’t dare to think about.

Christopher Severio stars here as Brandon Burlsworth, a wannabe football player who dreams of joining the University of Arkansas’ football team, the Arkansas Razorbacks. From a young age, the non-athletic Brandon wants to play for them. His older brother Marty (Neal McDonough) — who is often mistaken for his father —doubts Brandon’s abilities. Brandon is, after all, a heavyset youngster who doesn’t seem driven by much of anything.

But when Brandon discovers the Razorbacks, he goes into overdrive. He wants to be a member of the team. He needs to be a member of the team. And he will fight tirelessly to be a member of the team.

Brandon’s drive though isn’t what opens the film. Nor is it what closes it.

The story opens after Brandon has tragically died at the age of 22. His older brother Marty feels lost, not knowing how God could’ve taken his little brother away from him, and the entire film is framed around Brandon’s funeral. Brandon was a person of faith and his family members, fellow Churchgoers and friends wonder why this happened to such an honorable person.

The story then flashes back to Brandon’s incredible quest to become, what one announcer calls, the most successful walk-on player in football history.  Brandon fought the odds stacked against an overweight young man with an alcoholic father, a tough-minded brother, and an athletic community that often laughed at his dreams.

Directed and co-written by David Hunt (who wrote the screenplay with Brian Reindl), the drama begins slowly — focusing more attention than necessary on Brandon’s father — but really gets going as soon as Brandon hits the football field. It’s here where the story embraces the main character’s unique journey to greatness.

Brandon didn’t have the physique or the toughness to play so his coach tells him to show up for practice earlier than everyone else and leave later. And that’s exactly what he did.

As a religious person, Brandon questions his own ambitions.  “I have to suffer for everything I get,” he says about his dreams of playing football, “Maybe it’s not what God wants.” But he persists and ultimately inspires his whole community through his sheer force of will.

It’s undeniable that Brandon’s story is an incredible one. The filmmakers here capture that brilliantly by showing all of the obstacles that stood in his way and then showing how he was able to overcome them. Severio truly captures the character’s naivety and eagerness — two qualities that help him overcome the issues standing in his way

Admittedly, Brandon comes off as a bit too perfect at times during the story. It might’ve helped to see more of his faults and some of the conflicts he faces (such as his relationship with his college roommates) come off as a bit trite. The picture, which clocks in at two hours and ten minutes, also feels a bit long at times.

Such criticisms aside, the story delivers on both an inspirational level and on a deeper one. The questions the film asks — about Brandon’s untimely death — are important ones that really make this story stand out. In the end, viewers can decide for themselves what they want to believe but the film nobly asks strong questions about faith and spirituality and whether or not death is truly the end.

If you’re looking for something else to inspire you, click here for a list of 10 inspiring movies about patriots.

Review by: John Hanlon